(feat. Akbar, An Ion, Illin' P, L da Headtoucha, ...)
[KRS-One:]
It don't stop, word
It don't stop, we still spittin! Word
Knowledge Reigns Supreme, Over Nearly Everyone
When you gon' get it? Aww man
Watch how I spit 'em, watch how I hit 'em
Inebriated rhythm, we get up all in 'em
KRS you gotta get him, we the best we always win 'em
Them cats won't admit I'm in the club rippin they shit
I'm raw when I'm on tour you better be sure when you get 'em
'Til you hit the floor and spin 'em, them elements do you live 'em?
Or are you just usin 'em, confusin 'em and killin them
Your touring is boring, your minimum ain't fulfillin them
So let's start drillin 'em, why we ain't feelin them
Cause we lookin and lookin and don't see that real in them
Cars we be wheelin them, minds we be healin them
With books and CD's, believe me we straight dealin them
Live in the club them thugs hit the ceiling
When they get the feeling KRS-One start delivering
So who's up? (Akbar) You live hip-hop?Yo, get on the mic and show 'em what you got
[Akbar:]
This whole rap game is a gamble, some MC's can't handle
Financial freeze, your record company's at a standstill
While I breeze through a sample, and lead by example
Find fertile minds and drop seeds by the handful
Man you ain't gotta hit me in my head with the anvil
I grow wise, I recognize the lies and the scandal
Once you sign on that line, your career could depend on
these white collar crooks who cook the books like Enron
So I took an oath to speak no lie
While mad rappers die over beef like E. Coli
I guess you thugs won't get the picture until them slugs hit ya
I ain't a hater, but sooner or later "Love's Gonna Get 'Cha"
And if you don't know that, then you dumb fella
And everything I said, went right over your head, like an umbrella
So who's up? (L) You live hip-hop? (Damn right)
Yo, get on the mic and show 'em what you got
[L Da Headtoucha:]
Categorize me with the best clique, rhyme majestic
with it I get sick and mo' connected
So electric my energy is remembered I'm limitless
My mind screamin just against the rhythm, intense is the ism
In 'em I long salute the young and hungry to shine
Nightmares of lost time haunt taunt me to rhyme
Been isolated, waitin years to finally reappear
Cheers I made it, all praise due, Inebriated
These words are weaponry, huh, mental telepathy
Rocks for definite, reppin it, 'til the death of me
Pain left in me runs deep, and leaks through the speakers
In Jeeps and tape decks, then connects to your peeps
We keep it, thorough borough to borough, city to ghetto
Rock like, heavy mental on the, instrumental
So who's up? (Illin') You live hip-hop?
Get on the mic and give it what you got
[Illin' P:]
I got five on it, you want it, flaunt it without hazzy
Dues paid check the rezzy, the black film be
that of a blunt's ash, past he of the spectacular cash
To get after master {?} atlas
I rep even when I be fingerin them, get it, probably not
Probably thought I meant that snitch talk
Starvin your brain, I never come with the simple and plain
To get at these thoughts, get on the train-er
I'ma af'ta learn ya bwoy, ya not fi come wit de sum'n
Microphone check one, no frontin
You niggaz is mimin your rhymes cause y'all ain't sayin nuttin
Some of dem soft, me foot bak I'm 'pon de mic
{?} +Good Will+ stay +'untin+
Fear new day mon, un if ye wake up
Industry feel de shake up
Married to the ghetto you niggaz forget, break up
Ahh so who live hip-hop
Upon de hip, me ride the Soul Train ock
[Supastition:]
Yo I'm not to be confused with these popular new names
I been paid my dues I'm at the top of the food chain
And I should get an award for slept on peeps
So this beat'll be perfect for my acceptance speech
Forever loved in your city, thanks to rap
My album's a continuous seller like fitted Yankee caps
I'm like a demon, crossbred with a ragin bull
I'm from the South but I relate more to "Paid in Full"
So focused on my grind, I'm potent when I rhyme
Tell niggaz close your fuckin mouth and open up your mind
It takes more than a few weeks to learn
I make sure rappers and microphones ain't on speakin terms
As far as you concerned, I'm losin my temper and patience
Nobody takes shit serious like an impotent rapist
So who's up? (An Ion) You live hip-hop? (True dat, true dat)
Yo, get on the mic and show 'em what you got
[An Ion:]
I'm aggressive, progressive, words young ticker be vital
Rip the game and the name to reclaim any taken title
Directly hand out stares to the needle as it rotates
An agent to decrepit from rigormortis in flow eighths
Not even for a minute can you rap
Let down by the sound that drowns the clowns even dare to step
Don't ride the rhythm, I order you to jock
Your claim to fame was holdin down but you can't hold cock
Damn right we can fight, I stay with grudge
with no prior budge from the previous
And when is it that fourth'll crack cranium, kids come in the picture
Knowin that asshole and Ion and you ain't the perfect mixture
Like Alice, diners become the impeccable haven
That any enter my zone must be stripped down and shaven
I stand before you as a fiendish critter
Creatin causin collision with a pen
Written that hatred of spaced-out squashed men like it was a sin
The only job payin me enough to snuff the rough
should have never planned the plan to make you perish
Leavin your fan and your uncle and son with somethin he can cherish
Lawrence Krisna Parker, conocido como KRS-One (The Blastmaster o The Teacha), es un rapero, activista y escritor estadounidense nacido en Nueva York en 1965. Considerado uno de los pioneros del rap político e intelectual, KRS-One ha influenciado profundamente la escena del hip hop con sus rimas incisivas y letras que abordan temas sociales como el racismo, la pobreza y la justicia. Fundador del grupo Boogie Down Productions (BDP), lanzó álbumes exitosos como "Criminal Minded" (1987) y "By All Means Necessary" (1988), que ayudaron a definir el sonido de la edad dorada del rap. KRS-One también es un activista social comprometido con la promoción de la educación y la conciencia política. Entre sus canciones más representativas se encuentran "The Bridge Is Over", "Sound of da Police" y "Hip Hop Single".
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